Exploring the Unexplainable: Geoff McFetridge’s Latest Exhibition at V1
The enigmatic nature of music, often labeled as “indistinct,” led jazz violinist Matt Glaser to ponder that it’s not the deficiency of music in conveying human emotions precisely, but rather the limitations of language itself. Although operating in a distinct artistic realm, Canadian artist Geoff McFetridge has extensively shaped his career around this very notion. His focus isn’t exactly on music, but rather on the challenge of encapsulating the ineffable using paint and sculpture.
Presented at Copenhagen’s V1 Gallery, McFetridge’s recent solo exhibition titled “The Organic Interface” delves into a central question: “How can visual representations elucidate and convey ideas that reside between our comprehensions?” Through an array of new paintings, drawings, and sculptures, McFetridge endeavors to translate his transcendental moments into tangible visuals, striving to fathom humanity’s intricate connection with the natural world. Rather than seeking to immediately transcribe his concepts onto paper, McFetridge likens his approach to a potter molding a lump of clay on a wheel, where the final form evolves unpredictably under the hands’ guidance—a parallel to thoughts intermingling to yield unforeseen yet inspiring outcomes.
Beyond a mere progression from one thought to the next, McFetridge’s latest creations delve into themes of consciousness, liberty, morality, and communal interdependence. Executed in his characteristic subdued palette, a standout piece is a diptych featuring intertwined animals and humans, distinct yet united in their projected shadows. This artwork alludes to the tenuous relationship shared between humans and the animal kingdom—a relationship the United Nations warns is deteriorating due to fossil fuel consumption and deforestation.
“In the process of shaping a bowl, there exist transitional states between ‘clay lump’ and ‘finished bowl’,” remarked McFetridge about his work process. “When I draw, I strive to capture that realm—depicting objects before they succumb to linguistic capture.” “The Organic Interface” debuted today and will grace the V1 Gallery until September 23rd.
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